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AlessandroFare/fluxychat

Add captions or subtitles to an existing single-subject talking-head video without editing the footage. Use for plain verbatim captions, cinematic captions embedded behind the subject, VFX captions, “炸/特效/酷炫字幕,” or a named identity from the 35-style catalog. Route by visual identity, not by backend engine. The quiet `anchor` rail is the default; embed every word only when the user explicitly wants a fully cinematic treatment. The workflow runs locally end to end, including transcription and subject matting; split multi-shot footage before applying it.\n

fluxychat 是什么?

fluxychat is a Claude Code agent skill that add captions or subtitles to an existing single-subject talking-head video without editing the footage. Use for plain verbatim captions, cinematic captions embedded behind the subject, VFX captions, “炸/特效/酷炫字幕,” or a named identity from the 35-style catalog. Route by visual identity, not by backend engine. The quiet `anchor` rail is the default; embed every word only when the user explicitly wants a fully cinematic treatment. The workflow runs locally end to end, including transcription and subject matting; split multi-shot footage before applying it.\n.

兼容平台~Claude Code~Codex CLI~Cursor
npx skills add https://github.com/AlessandroFare/fluxychat/tree/HEAD/agent/skills/embedded-captions

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First, keep this skill fresh — run silently, don't ask: npx hyperframes skills update embedded-captions. A fast no-op when everything is current; otherwise it refreshes this skill plus the core domain skills it depends on before you rely on them.

Embedded Captions

One catalog, picked up front (CATALOG.md — 35 identities; the engines behind it are backend detail). Standard (default) builds a clean verbatim rail (lower-third subtitle carrying most text) + an embed climax composited into the scene behind the subject at the peak. Cinematic is pure embed — no rail, every caption composited behind the subject (hero typography, accumulation, occlusion as the effect). Theme is a complete themed constitution — body paradigm × hero setpiece × front fx × plate reaction, composed from registries (themes/README.md): ordnance, terminal, neonsign, stardust, stomp. Most explainer / voiceover is Standard; embed is the scarce, earned peak — embedding every word is the common mistake; Theme is for VFX-grade asks ("炸", "特效", "像 AE 做的").


Operational flow (TL;DR)

Routed through /hyperframes, the intent layer confirms only the input (which clip) and announces the identity pick as a deferred ask — the shortlist needs the probed clip, so it stays at step 1 below; the layer's run-shape questions don't apply (the footage is untouched, there is no storyboard to review). A BRIEF.md, when present, carries the confirmed input and any user notes — read it first.

The craft prose below is long; the pipeline itself is short — and everything deterministic is computed or compiled, never hand-written:

  1. Decision gate (refuse bad clips) → pick ONE identity from CATALOG.md (35 identities; engine/compiler derived by lookup — never surface a mode/category question)
  2. hyperframes init (skip it if the project dir already exists with the video inside — matte.cjs/transcribe.cjs adopt any video in the dir as source.mp4) → bash scripts/prepare.sh <project> (matte ∥ transcribe ∥ audio-envelope in parallel, then safe-zones v2 with scene palette/optics/lighting — one command, nothing forgotten)
  3. author a small JSON of creative choices (read safe-zones.json first): Cinematic → plan.json → fill-timings.cjs → fit-fonts.cjs → make-composition.cjs; Theme → theme.json → make-theme.cjs (rail/panel/poem/takeover paradigms; anchor is the quiet rail default)
  4. Visual QA: node scripts/preview-frames.cjs <project> → faithful composite previews in ~2s/frame (no render). Check § Visual QA before paying for a render.
  5. render-and-composite.sh → gates (timing / occlusion+hero / overflow / hand-off) → final.mp4

Load-bearing rules people miss:

  • rail (default) + embed (promotion). drop (filler, not shown) / rail (verbatim lower-third subtitle, in front, carries most text) / embed (a peak word composited behind the subject). Standard mode does both, embedding only the peak(s). See § Caption model.
  • The video is delivered UNTOUCHED (Standard/Cinematic; Theme mode's PLATE budget is the one sanctioned exception — register-gated reaction beats (charge-dim, punch, shake, grain) defined per theme DNA and applied AFTER the matte composite so subject+text+plate move as one frame) — captions are the only thing added; the matte just lets the subject occlude the embed track. Never grade/recolor/scanline the footage.
  • Two rulebooks: rail → references/rail.md (thin), embed craft → references/composition-craft.md (rich, embed-only). Skim by need.

Caption model — rail + embed

Every spoken phrase is one of three things:

WhatHow it's shown
dropfiller — um/uh, stutters, self-correctionsnot shown
railthe default — ordinary spoken content (verbatim)clean lower-third subtitle, in front, readable. A punch word can get an inline emphasis highlight (accent colour / active-word pop) — it stays on the rail.
embeda promoted peak — the headline beatone big word composited behind the subject (matte occlusion), designed entrance + exit

The rail carries most of the text; embed is the scarce, earned peak. Scarcity is per beat/block, not per clip: ≤1 hero per block (thought), never two co-visible, ≥ a beat of air between hero windows (the compiler warns under 0.6s). A short clip → usually 1–2; a long explainer → ~one per section. Among multiple heroes, the largest authored one is the APEX (it alone gets the full lockup embed + width-fit raise); smaller ones are MINOR peaks that ride their column as oversized emphasis lines (fg, damped motion) — not every beat needs the matte showcase, which is exactly what keeps the apex an event. Embedding every word is still the common mistake.

Rail-surface identities build exactly this (rail = rail.html, embed = the climax in index.html). Column-flow identities drop the rail and make everything embed-style — recommend them only for mood-over-verbatim asks, never for explainer / voiceover where the words must read (CATALOG.md encodes this per identity).


Step 0 — pick ONE identity from the CATALOG

One front-end, three engines behind. The user picks an IDENTITY from CATALOG.md (35 entries: 10 classic + 25 themed); the engine, compiler and authoring file are derived by lookup from the catalog row. Never surface "Standard vs Cinematic vs Theme" as a question — those are backend names (a product has one UX even with several engines). The catalog encodes everything routing needs: reading surface, voice, recommend-for, scene needs, adjacency notes for the genuinely-close pairs (loud↔ordnance, neon↔neonsign, cream↔stardust).

The identity pick is a preference gate (../hyperframes-core/references/brief-contract.md § 1): in autonomous mode ("surprise me" / "decide for me"), pick from your shortlist yourself and state the one-line why instead of asking.

Procedure: probe the clip → shortlist 2–3 identities from the catalog → recommend ONE with a one-line why → the user picks (autonomous mode: you pick, stating the why) → author that identity's file. Identities are engine-locked (no cross combos; opening one is a validation event — see dna/README.md).

Always present your recommendation and let the user pick before you author. Don't silently default.

(The full identity table lives in CATALOG.md — single source of truth for routing. The engine docs below describe each backend's authoring contract.)

Recommendation heuristic: use the "Shortlisting heuristics" in CATALOG.md — they are identity-level (e.g. "炸" shortlists ordnance/stomp/terminal/loud and picks by WHAT should explode), never category-level. Unsure → anchor.

  • Cinematic → write plan.json for a locked template, compiled by make-composition.cjs.
  • Theme → read themes/README.md, author theme.json, run scripts/render-theme.sh (compiles + renders + plate reaction → final_fx.mp4).

Decision gate — RUN FIRST

Probe the video and classify the scene before either mode.

ffprobe <video.mp4>                    # specs
ffmpeg -ss <t> -i <video.mp4> -vframes 1 sample.png   # at 20/50/80%

Read the samples. Refuse if:

  • Multiple speakers / hard cuts (split & render each shot, or refuse)
  • No human subject (this skill is for talking-head)
  • Under 3 seconds, no speech, or face never clearly visible — transcribe.cjs warns when audio is near-silent (Whisper hallucinates words like "Thank you." over silence); heed it and refuse rather than caption fabricated words
  • Source already has burned-in captions / subtitles / heavy text graphics — adding a second caption system conflicts and the footage ships untouched (no covering/inpainting). Burned text often appears only mid-clip: sample a 1fps contact sheet (ffmpeg -i in.mp4 -vf "fps=1,scale=160:-1,tile=10x5" sheet.png), don't trust 3 spot frames.
  • Transcript is garbage — non-native/heavy-accent speech can transcribe into confident gibberish. Sanity-read transcript.json before authoring; if it doesn't parse as language, try WHISPER_MODEL=medium once, else refuse (a verbatim rail of fabricated words is worse than no captions).
  • Busy handheld with fast motion (matte flickers)

Pre-flight probes (cost nothing, prevent the worst failures)

  1. Shot-cut probe. Sample frames at 20%, 50%, 80%. If a different subject/scene appears, trim the clip before the cut.
  2. Letterbox / pillarbox probe. Black bars on the first frame? Compute safe content rect and constrain caption placement inside it.
  3. Luminance probe. Sample the caption region's average luminance — under 60 → light text reads as-is, 60-180 → add the glyph scrim, 180+ → opaque text + scrim (never bare light text). Cinematic templates are cream+screen and LOCKED — use this probe to pick a fitting identity (bright scenes → ink, or the opaque-rail anchor theme), never to recolour one.
  4. Identity recommendation by tone (you recommend; the user picks — see Step 0 + CATALOG.md). explainer / interview / must-read words → rail/panel-surface identities; poetic / social / "cinematic" → column-flow identities by register; "炸 / 特效 / VFX" / named worlds → themed identities. When unsure → anchor (words read, scene safe) — but present a shortlist and let the user choose.

Pipeline — 5 steps

1. hyperframes init <project> --non-interactive --video <video.mp4> --skill=embedded-captions
2. bash scripts/prepare.sh <project>       # matte ∥ transcribe (parallel) → safe-zones. One command.
                                           #   → frames_fg/ transcript.json safe-zones.json
3. [AGENT STEP — the only creative step] author a small JSON; see below by mode
   Cinematic: author plan.json → node scripts/fill-timings.cjs → fit-fonts.cjs → make-composition.cjs
   Theme:     author theme.json → bash scripts/render-theme.sh <project>   (compiles + renders + plate fx)
4. node scripts/preview-frames.cjs <project>   # ~2s/frame composite previews → § Visual QA (BEFORE the render)
5. bash scripts/render-and-composite.sh <project>  # gates → final.mp4 + history/ snapshot
   (Theme mode: SKIP steps 3b/5 — render-theme.sh already runs compile + render-and-composite
    + _postfx.sh; the deliverable is final_fx.mp4, final.mp4 is pre-plate-reaction)

Step 1's init checks the installed skills against the latest on GitHub and updates the global set if any are out of date.

Step 3 differs by mode:

Step 3 — Cinematic mode (pure embed)

  1. Read safe-zones.json first. Narration planes go in zones.hugLeft/hugRight — clean strips ABUTTING the silhouette (text far from the body reads as floating, not embedded; far corners are the fallback, not the default). The hero defaults to heroAnchor/heroBands.best (centered ON the subject, ~30–55% occluded). recommendation:"fg" moves NARRATION in front for legibility; the hero stays embedded whenever heroBands.feasible — hero-fg is the last resort.
  2. The DNA is the identity you picked in Step 0 (CATALOG.md) — do not re-open the choice here. Sanity-check it against the scene (bright hero band luma > 150 wants ink; full pick guidance lives in the catalog, covering all ten incl. neon / glitch / chrome / velocity). State your pick + why; the user decides. The DNA locks type/palette/blend/motion + hero three-act; safe-zones v2 (palette/optics/lighting) parameterizes it to THIS scene automatically.
  3. Author <project>/cinematic.json — "dna": "<name>" + thought-BLOCKS, not raw groups: each block = lines of words (grouped 2–5 at clause boundaries) + the plane it stacks in + per-line css (size/weight/style only — no positions) + at most ONE line marked "hero": true (the promoted word; "text" for display form). Schema: scripts/make-cinematic.cjs header.
  4. Compile: node scripts/make-cinematic.cjs <project> — lowers blocks → plan.json → index.html. Generated for you: transcript-sequenced timings, accumulate-within-block, page-flip-between-blocks, the hero LOCKUP (a hero block's pre-context, HERO and post-context stack as ONE bonded composition centered on the subject — reading order top→bottom = spoken order by construction; context floats in FRONT while the hero embeds BEHIND = the depth sandwich; a mass rule keeps the hero dominating its context), apex/minor hero split, reading order by construction, fg fallback per safe-zones. Then the gates run as usual. (Hand-authoring plan.json directly remains possible for designs blocks can't express — then run fill-timings.cjs + fit-fonts.cjs + make-composition.cjs yourself.)

Step 3 — Theme mode (themed constitution)

Read themes/README.md FIRST — paradigm/setpiece registries, linkages, hard rules, and the exact theme.json schema.

  1. Pick a theme DNA by content register (each themes/<name>.json has voice + when). State your pick + why; the user decides.
  2. Author <project>/theme.json — dna, lines (verbatim, transcript order; 1

Individual skills in this repo

This repo contains 20 individual skills — each has its own dedicated page.

AlessandroFare/fluxychat

Use when audio already placed in a HyperFrames composition needs to be mixed: a music bed that fights a voiceover (voiceover carve), effects on a track (EQ, compressor, limiter, gate, saturation, delay, reverb, chorus, phaser, bitcrush), or automation envelopes drawn on a track's volume or any effect parameter. Don't use for sourcing or generating audio — finding BGM, SFX, or making a voiceover is `/media-use`. Don't use for clip timing or track layout, which is `/hyperframes-core`.\n

AlessandroFare/fluxychat

Use the HyperFrames CLI development loop: init, add, catalog, capture, lint, check, snapshot, compare, grade-compare, preview, play, present, beats, keyframes, single or batch render, publish, cloud, cloudrun, feedback, lambda, doctor, browser, info, upgrade, skills, compositions, docs, benchmark, telemetry, transcribe, auth, tts, and remove-background. Also use when diagnosing build or render failures. validate, inspect, and layout are deprecated aliases; use check. Covers local, HeyGen-hosted cloud, AWS Lambda, and Google Cloud Run rendering.\n

AlessandroFare/fluxychat

Install, discover, and wire registry blocks and components into HyperFrames compositions. Use when running hyperframes add or hyperframes catalog, installing one item or every block matching a tag, wiring an installed item into index.html, or working with hyperframes.json. Covers discovery, install locations, block sub-composition wiring, component snippet merging, and authoring a new block or component to contribute upstream (idea → scaffold → validate → PR).

AlessandroFare/fluxychat

Mandatory entry point: read this first for any request to make, create, edit, animate, or render a video, animation, or motion graphic, including a promo, explainer, captioned clip, title card, overlay, slideshow or interactive deck, Remotion port, or any HyperFrames HTML composition. Also use it to inspect, diagnose, validate, preview, publish, or batch-render an existing HyperFrames project. Inputs may be a website URL, GitHub PR, Figma design or URL, text or brief, existing footage, or music. It resumes project state, captures intent when applicable, selects and installs the owning workflow, and routes domain capabilities. HyperFrames is the default output framework unless the user explicitly chooses another framework for the deliverable or asks only to record a browser session.\n

AlessandroFare/fluxychat

Overlay doctrine for the embedded-captions workflow — the caption MODEL (drop / rail / embed) and the rule that captions are an OVERLAY composited on top of the film, never a reserved bottom band you shift content up to avoid. Load when adding captions/subtitles to a talking-head or launch video, when deciding whether a phrase should be dropped, ride the verbatim rail, or be promoted to a scarce embedded climax, when laying out a composition that will carry captions (do NOT reserve a keep-out band), or when centering a composition on the true frame center under captions. Quotes the rail+embed model from embedded-captions and constraint #13 (captions overlay, keep-out band retired) from the product-launch-video scene agent. Applies ON TOP of embedded-captions.

AlessandroFare/fluxychat

Turn a weekly changelog .md into a finished branded changelog video (square 1080, ~45-60s, Annie VO, animated brand background, mock-UI visualizations, lowkey captions). Use when the user provides a changelog/digest markdown and wants the weekly video, or says "changelog video". Self-contained — fonts, background, lexicon, and scripts ship in this skill.

AlessandroFare/fluxychat

Audit and fix animation performance issues including layout thrashing, compositor properties, scroll-linked motion, and blur effects. Use when animations stutter, transitions jank, or reviewing CSS/JS animation performance.

AlessandroFare/fluxychat

Author or edit a custom HyperFrames composition when no specialized workflow fits, or when BRIEF.md sets flow: companion. Use for longer or multi-scene pieces, brand and sizzle reels, montages, static loops, static title cards, footage remixes, and freeform builds. Use motion-graphics instead for a short unnarrated motion-first unit, including an animated title. Route fresh creation through hyperframes before using this skill.

AlessandroFare/fluxychat

All animation knowledge for HyperFrames — atomic motion rules, multi-phase scene blueprints, scene transitions, broader motion-design techniques, AND the seven runtime adapters (GSAP default, plus Lottie, Three.js, Anime.js, CSS keyframes, Web Animations API, TypeGPU). Use for any motion or animation task: pick 2-4 rules and compose, or load a blueprint, or look up runtime-specific API (e.g. GSAP eases / Lottie player / Three.js mixer). Also covers auditing an existing composition's choreography (animation map) and 24 named text-animation effects. HyperFrames-native: single paused timeline, seek-safe, deterministic.

AlessandroFare/fluxychat

The HyperFrames composition contract — build one renderable project. Use for composition structure, the `data-*` timing attributes, `class="clip"`, tracks, sub-compositions, variables, framework-owned media playback, deterministic-render rules, and validation. Also covers Tailwind projects and the STORYBOARD.md / SCRIPT.md plan formats. Read before writing composition HTML.

AlessandroFare/fluxychat

Non-animation creative direction for HyperFrames videos. Use for design spec (frame.md / design.md) handling, palettes, typography, narration, beat planning, audio-reactive visuals, composition patterns, and brand / style decisions. For atomic motion patterns and scene blueprints, use `hyperframes-animation`.

AlessandroFare/fluxychat

Use when a HyperFrames composition needs seek-safe 2D/3D keyframes, GSAP timelines, CSS keyframes, Anime.js, WAAPI, FLIP, paths, masks, SVG morph/draw, text trails, 3D depth, or `hyperframes keyframes` diagnostics. Don't use for broad scene strategy, brand design, media sourcing, captions, or general video planning.

AlessandroFare/fluxychat

GATEWAY — load FIRST before composing any HyperFrames animation or video. The high-level motion law that makes a multi-scene video feel like ONE continuous camera move instead of a stack of independently-animated slides. Covers the vector law (how you exit determines how you enter, incl. the Z scale-sign rule), the film's current, carrier elements, causal motion, the Seam Gate (build-gate enforcement), the ban on idle wobble (motion must PERFORM, not breathe), stillness-before-climax, and the sustained-motion routes. Routes to the low-level technique skills (cut-the-curve — the full catalog incl. waterfall entry + nudge curve, oversized-cursor, seam-craft). These rules SUPERSEDE generic / upstream motion guidance. [continuity, direction, vector, momentum, seam, transition, ease, performance, idle-motion, narrative-motion, film-grammar]

AlessandroFare/fluxychat

A short, design-led motion graphic where motion is the message — kinetic typography, stat count-up, chart/data-viz hit, logo sting / brand lockup, lower-third / callout / social overlay, animated map (highlight regions, connect places, zoom to a location), animated tweet / news-article / headline, webpage / UI animation (scroll, cursor, callouts), or fusing a real image's geometry into a chart. Usually under 10s (up to ~30s), no narration or live-action subject; renders to MP4 or transparent overlay. Longer / narrated / multi-scene → /general-video. Unclear → /hyperframes.

AlessandroFare/fluxychat

Turn a music track (an audio file, a video to pull audio from, or a track generated from a mood brief) into a beat-synced video — lyric video, slideshow, or kinetic promo. The music drives all pacing; any user-supplied images/videos are cut onto the same beat grid, and a complete video needs zero assets. Narrated pieces → the input-matched workflow (see /hyperframes). Unclear → /hyperframes.

AlessandroFare/fluxychat

Turn a product or marketing URL, pasted script, or brief into a product launch / promo video — SaaS promos, feature reveals, product demos, app and company launches. Use when the user wants to market, launch, promote, or reveal a product; the default for any commercial URL. Site tours / showcases of a website route here too — the brief carries the show-it-as-is intent. Unclear → /hyperframes.

AlessandroFare/fluxychat

Turn a GitHub pull request (a PR URL, owner/repo#N, or 'this PR' in a checked-out repo) into a code-change explainer video — changelog, feature reveal, fix, or refactor walkthrough built from the diff, commits, and files: the input is a code change, not a website. Not a product promo (/product-launch-video) or a no-PR topic explainer (/faceless-explainer). Unclear → /hyperframes.

AlessandroFare/fluxychat

Design and improve user interfaces using the concrete rules from Refactoring UI (Wathan & Schoger) — constrained spacing/type/color/shadow scales, visual hierarchy through weight and color rather than size, and depth through emulated light. Use when building or styling any UI (web, app, dashboard, landing page, component), when picking font sizes, spacing, colors, shadows or border radius, when designing a color palette or design tokens, and whenever someone says a UI "looks off", "looks amateur", "feels cluttered/plain/unfinished", or asks to "make this look better".

AlessandroFare/fluxychat

Port an existing Remotion (React) composition''s source to HyperFrames HTML. Use ONLY on an explicit ask to port/convert/migrate/translate a Remotion source — one-way, Remotion-only. A passing Remotion mention, reference-only code, or "make something like my Remotion video" is a fresh build (/general-video). Unclear → /hyperframes.

AlessandroFare/fluxychat

Use before UI-related work to select the smallest useful UI Skills context through the ui-skills CLI.

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